You may not remember this, but 2016 was kind of a wild time. The US election in November, which was expected to be a mere formality before the inauguration of the first female president, instead saw the nomination go to a former reality TV show host who had been repeatedly caught bragging about committing sexual assault. The juxtaposition of these events led to what political scientists refer to as a Big Mood.
Two years later, enough time has passed for the arrival of post-Trump literature, and the first one I laid my hands on was Christina Dalcher’s Vox, a much-ballyhooed bestseller described somewhat confusingly on a front cover endorsement as a “re-imagining of the Handmaid’s Tale”, implying some sort of direct connection between the two works (there isn’t one).
In case my use of the word “ballyhooed” didn’t give it away, I did not like it very much.Read More