(Note: I intended to post the next Oscar Debate this week (it's about BlackKklansman!), but I've been a bit under the weather and haven't been able to get that post together. Instead, I pulled up something that's been sitting on my hard drive since early last year and polished it off. Enjoy!)
Living in Ireland, I watch a lot of British TV shows. Because what am I going to do, watch stuff made here? PFFFT.
I also, like a large proportion of the world's population, regularly unhinge my media-jaw and consume vast quantities of American entertainment. The differences between the two are deeply-baked and striking; for example, serious “prestige” TV series (as opposed to soap operas, sitcoms and things like Doctor Who) in Britain tend to be extremely short, running four to six episodes per season and frequently having no more than two or three seasons at most. Often they don't even get that, being conceived from the beginning as a discrete story with no intention of continuation once the initial batch of episodes is over.
This makes Line of Duty something of an anomaly. A relatively big-budget police drama produced by the BBC, it feels very much like something that was intended to be short-lived, with the first season telling a stand-alone story and the next two forming a distinct arc with a definitive climax and end-point. But the show was unexpectedly, wildly popular and was renewed multiple times; a fifth season is currently airing, with a sixth expected some time in 2021.
Unfortunately, it might have been better if the show had stuck to the British formula and ended early. Today we're going to look at each of the first four seasons seperately and pin-point where it all went wrong.Read More